The Black Keys make great music, and The Black Keys are great live. The Dispatch review of last night’s show at the LC Pavilion is… okay. Describing Brothers as the band’s defining album is way off base: it features some very good stuff, but also several utterly skip-worthy tracks. I agree, though, with the tone of the Dispatch review, as I heartily recommend seeing the Keys live if you like bluesy rock even a little.

I’ve got all but the first Keys album – yes, I’m one of those late arrivals who didn’t hear of the Akron duo until Attack & Release – and couldn’t have been much happier with the set list. Although Dan Auerbach’s voice lost the battle against drums and guitar, the rocking-ness of his guitar and Patrick Carney’s drums completely made up for that.  I was hoping to hear 10 A.M Automatic, but when a band has 6 albums to cover it’s hard to be picky!

If you want to see a movie based on a web comic which is itself heavily influenced by video games, Scott Pilgrim vs. the World is nearly perfect. It’s more stylized than I expected, which won’t sit well with some viewers, but I was impressed. The trailers had me looking forward to indier-than-thou dry humor in a geeky wrapper, with some goofy action for good measure. That could have been entertaining, if not exactly original… given that Michael Cera himself has been in, what, 19 films matching that description? Pilgrim is, in fact, something unique, and something very, very funny.

My contribution to today’s geeky online defense of free speech, for reasons I discussed here, here, and here:

The folks behind Chuck seem to have completed their quota of dumb, repetitive love triangle episodes for season 3, and the show has bounced back in a big way. Tonight’s episode was another very entertaining one.

According to TV By The Numbers, tonight was actually intended to be the season 3 finale. Chuck is on the bubble again, it would seem? Allow me to refer you to last spring’s cutting insights on the topic of cancellation. Anyway, what would’ve made a great finale could also make for a good segue into what this season should have been all about: butt-kicking and laughs courtesy of a fun duo with a great cast of co-stars. Chuck as this guy. Sarah as this hot mama.

I didn’t think of this until my roommate said something a few months ago, but the relationship between those characters is the perfect template. Chuck’s got ridiculous talents, and is more of a clown than a tough guy (though admittedly about .04% as terrific as Wash from Firefly). Sarah is also extremely talented, but her sense of humor takes a back seat to all the skull-cracking she’s got to do. Like Zoe. They’re different but made for each other, blah blah etc etc.

So, yeah… if you’ve given up on Chuck as I nearly did during that string of lame episodes earlier this season, catch up! With any luck, the remaining filmed season 3 episodes feature a sturdy, non-high-school relationship between the show’s namesake and leading lady! Better late than never, and there’s still plenty the writers could conjure up besides everyone breaking everyone elses’ hearts and making sad faces 10 minutes per episode.

It doesn’t hurt that Adam Baldwin maintains a steady level of awesome.

Did anyone watch Dollhouse tonight? As an assortment of places reported awhile back, Fox is burning through the remaining season two episodes in 2-hour blocks this month, with the final three in January. As ever, Hulu is sure to have both of tonight’s excellent episodes within the next few days!

I don’t say excellent lightly here – I really enjoyed the end of season one and really liked how the Epitaph 1 episode on the season 1 DVDs wrapped things up while leaving ambiguity. I think it’s great how Joss (can I call him Joss? man I’m a dweeb) planned ahead with an episode that essentially said, “this is one of the possible horrendous outcomes of what’s going on in Dollhouse,” without closing any doors on season two.

I loved both episodes tonight, and the first thing I said to my roommate afterward was, “I’m so glad this show was canceled!” Surely, Whedon’s experience with Firefly – Fox airing episodes out of order like total jerkbags before canceling during the first season – prepared him for Dollhouse’s abrupt cancellation. It’s good to see a focused team of writers and producers providing great characters with a worthy plot-line. Nothing sharpens the mind like cancellation! Let me choose between seven top-notch episodes and 21 that are a mix of “cool!” “meh” and “boo,” and I’ll take seven every time.

Enver Gjokaj was born for Dollhouse – I don’t think I’ve seen anyone better at adopting a different voice, attitude, and mannerisms. Ray Wise‘s cameo tonight was good. Summer Glau was better than I expected in that her role wasn’t the same one I’ve always seen her in, and she played it very convincingly. If I have one complaint, it’s that Eliza Dushku is too sexy. It seems somehow… unsafe.

I’m looking forward to the final seven episodes, hopeful that tonight was an indicator of the fun twists and madness we can expect!

As the first season of Dollhouse came to a close and we became fully convinced of Tahmoh Penikett‘s awesomeness, my roommate pointed out that Agent Ballard was also part of the Battlestar Galactica cast. Since I didn’t get Sci-Fi (er, “SyFy,” since somehow they haven’t realized that name sucks) when Battlestar Galactica premiered, I knew the series only as the go-to reference when you wanted to call someone a nerd. Given the plethora of nerdy things I already watched, there wasn’t a compelling reason for me to add it to the list.

Having now seen the first two seasons via Netflix, it is so good. Really, the best way to describe my enthusiasm for the first half of Battlestar Galactica is “Schrute-like.” After watching the pilot – basically a feature film unto itself – I expected the entertainment value to drop. It did not. Through the first season and nearly all of the second, the characters (even the sleazy ones) are convincing and their relationships are interesting. The action is great, the bits of over-the-top science fiction goofiness are few and far between, and the drama is… dramatic.

Then you get to the last 20 minutes of the season two finale. I’ve read mixed things about seasons three and four, and the way season two ended inspires no confidence. Let’s say you have a believable love triangle – involving several major characters – that’s picking up steam, sparks of romance between two other characters, and a huge shift in the roles of warring political leaders. Would you fade to black and begin the next scene with “One year later?” Me neither. It almost felt like the writers had gotten tired of the whole wandering through space routine, and wanted to move on to something lamer.

So, like a Schrute (or a lady), season two of Battlestar Galactica left me feeling as though I’d missed a whole lot of important events in the lives of the characters, left me much less excited for the Season 3 disc that arrived today, and made me glad I resisted buying the crazy-go-nuts series box set when DeepDiscount.com had it on sale.

[Update: Typo. First paragraph. Corrected.]

Our new theme is mostly done, so I went ahead and launched it. The goal is better use of screen real estate with fresh content – I was tired of the old theme’s standard fixed-width center column with stacks of archive/admin links on either side. Looking for something more sexy and less… texty.

There are a couple things missing (any kind of worthwhile content in the green social media box at the right, for one), but I’m happy with how this turned out. I used Colorschemedesigner.com to help pick bright, non-clashing colors for the extra content boxes. To save space and reduce the amount of repetitive text in the sidebar, I janked together some code to display a random post with a matching tag for each tagged post. That way if you’re reading a post on a certain topic, you can jump straight to another one instead of picking through the archives. As ever, the WordPress Codex made this less painful.

I’ll be adding links and stuff, but the whole point of the blue and red boxes to the right is that they’ll pull content based on what I share in Google Reader, favorite on YouTube, and listen to with Zune. What’s missing? Any suggestions for social media features?? Leave a comment – which you can now do with your Facebook, Twitter, or OpenID account! For the low price of all 10 of the old comments being eaten…

Yeah, maybe I’ll fix that next weekend!

Coffing has mentioned Dollhouse a couple of times before – once before the series started, and again when it started getting good. The late upswing continued through tonight’s season (and series?) finale. If you never gave the show a chance, put the season 1 DVD on your list! If you watched at the beginning of the season and got bored… refer to the second half of the preceding sentence.

At first it seemed like Fox was going to pull another Firefly on Joss. The first several episodes had some promising characters, but nothing all that intriguing going on. Then came the rumors that Alan Tudyk would be making an appearance. And about halfway through the season, the awesomeness ensued.

I’m not sure Joss Whedon and Alan Tudyk can work on something together without it being spectacular. Alan Tudyk is so good at what he does. Do you need someone hilarious? Done. Someone crazy? Sure. Someone hilarious AND crazy? Look no further:

We’re not bluffing! –I’m bluffing –But the rest of us mean business!

I hope Dollhouse gets the second season that Fox screwed Firefly out of. The crew at TV by the Numbers do not seem optimistic. If you’d like to lose some faith in humanity, and watching the evening news doesn’t cut it, take a look at this graph on James Hibbard’s site. Note how Dollhouse’s ratings drop in inverse proportion to the show’s level of face-rocking goodness.

That’s my review of tonight’s episode of Chuck.

To use several more words: Yvonne Strahovski. Yikes. Adam Baldwin sets a high bar of badassery, and then hurls himself right over it. The past several episodes the story has been interesting, the writing has leaned towards action while bringing well-timed laughs, and the stars continue to be great at what they do. If you’ve missed it – Hulu has not.

Then you get to the preview for the next episode (and season finale). Are we headed for a cliffhanger? It looks cliffhanger-ish, but let’s face it… most of the commercials feature some combination of Chuck with a gun to his head and Sarah in her underoos. Again I thought, “Have they renewed Chuck? Because it’s been great and they better not ruin it.”

I turned to The Internets. And wouldn’t you know it, the New York Times Arts Beat posted an interview with Josh Schwartz, one of Chuck‘s creators, this morning. The gist of the interview is that renewal or cancellation have still not been announced, which understandably sucks for everyone involved in making the show. They asked Schwartz about the season two finale, and his response was as far from what I was hoping for as a response could be:

If, in two weeks, that is the last episode of the show to ever air, it will be one of the least satisfying finales of all time.

Times like these I’m glad I have no power or influence! Should Chuck end in a miserable cliffhanger? Or should the show get another 20-some episodes, more than half of which are likely to be tired rehashes of old episodes mixed with on-again-off-again nonsense?

For a year or so I’ve been using Microsoft’s Zune software – despite the fact that I don’t have a Zune – because of how cool the online community features are. It’s a memory hog, it does janky things with your library’s metadata, and not all of your plays are tracked as they’re supposed to be. I’ve always felt a little guilty, operating on the assumption that iTunes was far superior software.

I was wrong. iTunes sucks. Want to add some music to your library? Give iTunes a few months to move everything… and convert it to a proprietary format. Want to get art for the 90% of your CDs whose album art was not recognized? You’ll have to sign in to the iTunes store. Then you’ll have to go to the website to confirm your identity. Then you’ll have to log in on the website again. Then when you’ve updated your account info (which requires you to provide a credit card), you’ll have to log back in through iTunes.

Congratulations! For all your trouble, you’ve earned the right to sync your music to your iPod. If you want to copy said music onto a different machine… good luck. If you connect a different iPod it will be logged in to your iTunes account, and you may have to smash it with a rock to sign it out. Each time you connect an unregistered iPod, it will try to register itself to your account until you’ve told it not to four times. If you need to charge someone else’s iPod, you’ll have to sync it with your library — or all the iPod’s contents will be deleted. Really, Apple? It takes some seriously aggravating “features” to make me wish I were using a Microsoft program.

Another entry for the Government Should Manage Fewer Things file, with a story on Yahoo! Tech about the idiotic digital transition plan. The converter box subsidy is running out of money:

To subsidize the converter boxes, most of which cost between $40 and $80, the government has been letting consumers request up to two $40 coupons per home. But any day now, the National Telecommunications and Information Administration (NTIA), the arm of the Commerce Department in charge of administering the coupon program, expects to hit a $1.34 billion funding ceiling set by Congress.

I sort of understand the FCC mandating the broadcast switch to all-digital. I can also see the argument for providing converter vouchers, since the government is essentially removing analog as an option for broadcast viewers with dated TVs. But two per household?

I’ve pissed and moaned about the stupidity of this from the first day I heard of it. Must be my poor grasp of the founding fathers’ intentions: Life, Liberty, and Federal Subsidies for Multiple-Television Families. This is such a small but pathetic example of bureaucracy run rampant. Someone in a meeting somewhere said, “why not offer two $40 vouchers per household?” and suddenly, twice as much taxpayer money is gone. Sorry, but if you can afford two televisions, you can afford a $50 analog-to-digital converter for one of them.

Just think of the disasters that await on February 17th! Converter vouchers lost in the mail… half the population of New Orleans joins a class action lawsuit for mental distress due to daytime dramas missed… op-ed columnists the world over go into apoplectic shock from this final, spiteful injustice committed by the Bush administration. America falls into darkness without the guiding lights of the Washington Post, Los Angeles Times, and Agence France-Presse.